Issue 192

In our Summer issue we marvel at Yoshinori Mizutani's fantastically fluorescent Toyko Parrots; check out Richard Kern's Girl Friend, Boy Friend; go on a subversive journey through the Whitechapel Gallery with Christopher Williams in The Production Line of Happiness; question our experience of colour with Jessica Eaton in Custom Colour; explore addiction and recovery with Melanie Manchot inTwelve as well as looking to the heavens with Kikuji Kawada in The Last Cosmology, and at the dirt with Conor Clarke's Scenic Potential.

We also pair a collaboration between Timothy Briner and Thomas Hauser with a newly commissioned short story for Crude Metaphors; talk to The Archive of Modern Conflict's Timothy Prus; give a brief history of conflict photography and explore how long a photographic print might realistically last, plus much more.